Matt Robidoux is a San Francisco based composer / improviser interested in accessibility within contemporary music and the communicative capacities of musical improvisation. In 2017 he established the Adaptive Instrument Ensemble (AIE), a community based practice focused on expanding the improvising community across abilities, demographics, and geographies. Beginning with a pilot workshop in 2019, he founded the Prepared Guitar Ensemble in collaboration with Creativity Explored, a studio-based collective that partners with people with developmental disabilities to celebrate and nurture the creative potential in all of us.
Prepared Guitar Ensemble
In collaboration with Creativity Explored and with major contributions from our project partner, instrument builder Sudhu Tewari, Creativity Explored artists have remotely designed their own idiosyncratic prepared guitars, and through collective process will develop a vocabulary on them for zoom improvisation sessions / eventual in person sessions. Our instrument design and production phase is the first step in what aims to become a long running ensemble project.
Adaptive Instrument Ensemble (AIE)
(AIE) is a neurodivergent improvising group founded at Mills College, Oakland, CA in 2017, featuring a range of adaptive and traditional instruments with a focus on Deep Listening Institute's Adaptive Use Musical Instrument (AUMI), a software interface that enables the user to play sounds and musical phrases through movement and gestures.
Book chapter forthcoming in Improvising Across Abilities: Pauline Oliveros and the Adaptive Use Musical Instrument (University Of Michigan Press, 2021).
"On the last weekend before the cancellations, before the venues shuttered and gathering in a room to experience live music emerged as a threat to public health, I went to a show at Adobe Books in the Mission District of San Francisco. Eight musicians set up on the floor, with mismatched chairs and benches bringing observers within inches of the performers. There was brass and guitar, percussion and strings, and it was intimate enough to hear fingers meet frets. Leading the winsome baroque pop ensemble was Matt Robidoux, a San Francisco composer and improviser steeped in the experimental music community orbiting Mills College. That night at Adobe they were playing material from Robidoux’s latest album, Brief Candles, which evokes the mix of pop and new music created by earlier Mills figures such as “Blue” Gene Tyranny."
—Sam Lefebvre, KQED
"Irish Collection (2017) and Irish Need Not Apply (2019)
are vulnerable and honest excavations...by mining Irish and
Irish-American cultural exports for source material—alternately
connecting himself to his heritage and distancing himself
from it—Robidoux traces the shaky line between pride and insularity,oppressed and oppressor."
—Leah B. Levinson, Post Trash
Irish Need Not Apply (2019)
Recorded by Eclipse Quartet:
Sarah Thornblade, Sara Parkins,
Alma Lisa Fernandez, Maggie Parkins.
"Trio" for Flutes and Fans
for three flutes and electric battery fans, viola da gamba and electronics.
Performed as part of
Shadowbox: Dirt and Copper with Laura Steenberge
on February 1, 2020,
Space 124 at Project Artaud, San Francisco, CA
Sonifying Differently Structured Posibilities
Multichannel audio performance using EMF sound emitted from the lights in Dana Hemenway’s sculptures as a starting point for processed improvisation.
In collaboration with Sally Decker and Mitch Stahlmann,
Eleanor Harwood Gallery, San Francisco, CA, October 5, 2019.